Vol. 2010 No. 1 (2010)

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Theatre and Performance as Social Commentary in West Africa: A Policy Analysis of Senegal's Cultural Landscape

Oumar Sène, Cheikh Anta Diop University (UCAD), Dakar Djibril Diallo, Cheikh Anta Diop University (UCAD), Dakar Samba Gassama, Department of Research, Council for the Development of Social Science Research in Africa (CODESRIA), Dakar Toumani Diop, Cheikh Anta Diop University (UCAD), Dakar
DOI: 10.5281/zenodo.18909434
Published: September 16, 2010

Abstract

Theatre and performance in Senegal serve as a critical medium for social commentary, reflecting and influencing societal values and norms. A qualitative approach was employed to examine existing policies and practices related to theatre and performance in Senegal. Interviews were conducted with key stakeholders including artists, policymakers, and scholars. The findings indicate that approximately 70% of theatrical productions address social issues such as gender equality and environmental conservation. Policy makers should prioritise funding for socially relevant theatre projects to enhance public discourse on important societal concerns. Develop a dedicated cultural policy unit within the Ministry of Culture to oversee and support socially engaged theatre initiatives. Encourage collaboration between government, private sector, and civil society organizations.

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How to Cite

Oumar Sène, Djibril Diallo, Samba Gassama, Toumani Diop (2010). Theatre and Performance as Social Commentary in West Africa: A Policy Analysis of Senegal's Cultural Landscape. Journal of African Musicology, Vol. 2010 No. 1 (2010). https://doi.org/10.5281/zenodo.18909434

Keywords

African StudiesTheatre StudiesSocial CommentaryCultural PolicyPostcolonial TheoryPerformance AnthropologyDecolonial Perspectives

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Vol. 2010 No. 1 (2010)
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Journal of African Musicology

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