African Postcolonial Studies

Advancing Scholarship Across the Continent

Vol. 2004 No. 1 (2004)

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Theatre and Performance as Social Commentary in West Africa: An Angola Study

Maria Guerreiro, Technical University of Angola (UTANGA) Francisco Moco, Department of Research, Instituto Superior Politécnico Metropolitano de Angola (IMETRO) Carlos Nkonde, Department of Advanced Studies, Agostinho Neto University, Luanda
DOI: 10.5281/zenodo.18795622
Published: December 22, 2004

Abstract

Theatre and performance in Angola have long served as platforms for social commentary on various aspects of society, including politics, culture, and economic conditions. The research employs a comparative approach, drawing from archival materials, ethnographic fieldwork, and interviews with contemporary theatre practitioners. A thematic analysis will be conducted to identify recurring themes and patterns across different periods of Angolan history. A notable theme emerging from the study is the portrayal of colonial legacy in contemporary performances, which often reflect on historical injustices and their ongoing effects on present-day society. This study reveals that theatre and performance in Angola play a crucial role in social commentary by addressing complex societal issues and fostering public discourse. Further research could explore the evolution of these themes over time and their potential for cross-cultural application in other postcolonial contexts.

How to Cite

Maria Guerreiro, Francisco Moco, Carlos Nkonde (2004). Theatre and Performance as Social Commentary in West Africa: An Angola Study. African Postcolonial Studies, Vol. 2004 No. 1 (2004). https://doi.org/10.5281/zenodo.18795622

Keywords

African diasporacultural studiespostcolonial theoryperformance studiessocial critiqueWest African theatreethnomusicology

References