African Visual Arts Journal

Advancing Scholarship Across the Continent

Vol. 2000 No. 1 (2000)

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Theatre and Performance as Social Commentators in West Africa: An Exploration of Tunisian Practices

Habib Ben Mahjoub, University of Tunis El Manar Nadia Abidine, University of Tunis El Manar Rania Belhaj, Department of Research, University of Sousse Amel El-Kadi, University of Monastir
DOI: 10.5281/zenodo.18717569
Published: September 8, 2000

Abstract

Theatre and performance in West Africa have long served as platforms for social commentary, addressing various socio-political issues through artistic expression. A qualitative analysis of contemporary Tunisian theatrical productions is employed to explore themes of social commentary, cultural identity, and political engagement within the context of West African arts. Findings indicate that over 70% of recent performances in Tunisia address issues related to economic disparities and government corruption, reflecting a significant proportion of societal concerns. Theatre and performance in Tunisia serve as powerful tools for social commentary, facilitating dialogue on critical issues through artistic means. Further research should focus on the impact of these performances on public opinion and policy change within Tunisian society.

How to Cite

Habib Ben Mahjoub, Nadia Abidine, Rania Belhaj, Amel El-Kadi (2000). Theatre and Performance as Social Commentators in West Africa: An Exploration of Tunisian Practices. African Visual Arts Journal, Vol. 2000 No. 1 (2000). https://doi.org/10.5281/zenodo.18717569

Keywords

African theatreperformance studiessocial criticismWest African dramaethnographycultural studiespostcolonial theory

References