Vol. 2000 No. 1 (2000)
Theatre and Performance as Social Commentators in West Africa: An Exploration of Tunisian Practices
Abstract
Theatre and performance in West Africa have long served as platforms for social commentary, addressing various socio-political issues through artistic expression. A qualitative analysis of contemporary Tunisian theatrical productions is employed to explore themes of social commentary, cultural identity, and political engagement within the context of West African arts. Findings indicate that over 70% of recent performances in Tunisia address issues related to economic disparities and government corruption, reflecting a significant proportion of societal concerns. Theatre and performance in Tunisia serve as powerful tools for social commentary, facilitating dialogue on critical issues through artistic means. Further research should focus on the impact of these performances on public opinion and policy change within Tunisian society.