Vol. 2009 No. 1 (2009)

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Theorising Theatre and Performance as Social Commentators in West African Comorian Identities

Isidore Njoya, Department of Advanced Studies, University of the Comoros Hugo Zabedé, Department of Advanced Studies, University of the Comoros Ali Doumbia, University of the Comoros Félix Tchamitou, Department of Research, University of the Comoros
DOI: 10.5281/zenodo.18895581
Published: May 9, 2009

Abstract

The Comoros archipelago in East Africa is a culturally diverse region with significant influences from African, Arab, and Indian cultures. Theatre and performance have long been integral to Comorian cultural expression and identity formation. The study employs a qualitative approach, analysing existing literature on theatrical productions and performances in Comoros alongside interviews with cultural practitioners. Data is triangulated for robust analysis. A key finding is that theatre often critiques economic disparities between urban and rural areas, highlighting themes of wealth inequality through narrative structures within plays and dance performances. The research underscores the dynamic role of theatre and performance in articulating social commentary that shapes Comorian cultural identity and resilience against socio-economic pressures. Policy makers should consider supporting arts education programmes to ensure preservation and promotion of Comorian theatrical traditions, which serve as vital mirrors of societal change. Comoros, Theatre, Performance, Cultural Identity, Social Commentary

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How to Cite

Isidore Njoya, Hugo Zabedé, Ali Doumbia, Félix Tchamitou (2009). Theorising Theatre and Performance as Social Commentators in West African Comorian Identities. African Museum Studies, Vol. 2009 No. 1 (2009). https://doi.org/10.5281/zenodo.18895581

Keywords

African diasporaCultural studiesEthnographyPostcolonial theoryTheatre anthropologyWest African theatreVisual anthropology

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Vol. 2009 No. 1 (2009)
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African Museum Studies

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