Abstract
{ "background": "Female genital mutilation/cutting (FGM/C) remains a deeply entrenched practice in many communities, sustained by social norms and intergenerational beliefs. In The Gambia, despite legal prohibition, prevalence remains high, particularly in rural areas like the Upper River Region, where elders are key custodians of tradition.", "purpose and objectives": "This study aimed to investigate the effect of a targeted, drama-based social theatre intervention on the attitudes of community elders towards FGM/C, exploring the processes through which theatrical performance may facilitate critical reflection and potential attitudinal shift.", "methodology": "A qualitative, longitudinal design was employed. Data were collected via in-depth, semi-structured interviews and focus group discussions with a purposive sample of 42 elders (male and female) before, immediately after, and six months following their participation in a series of specially commissioned social drama performances. Thematic analysis was conducted on the transcribed data.", "findings": "Analysis revealed a significant, nuanced shift in attitudes among a substantial majority of participants. A core theme was the drama's effectiveness in fostering empathy and stimulating intergenerational dialogue, particularly through the dramatisation of health complications and girls' distress. One concrete result was that over two-thirds of participants subsequently initiated family discussions questioning the practice's necessity.", "conclusion": "The findings demonstrate that participatory social theatre can be a potent catalyst for critical engagement with FGM/C among elder traditional gatekeepers, creating discursive openings for norm questioning within a culturally resonant framework.", "recommendations": "Policymakers and NGOs should integrate sustained, locally-produced social drama into comprehensive abandonment programmes, ensuring elder involvement from the outset. Further research should examine the longitudinal impact on behavioural intention and community-wide norm change.", "key words": "female genital mutilation/cutting, social theatre, attitudinal change, elders, The Gambia, qualitative research", "contribution statement": "This study provides novel empirical evidence on the mechanisms by which indigenous performance arts can disrupt deeply held normative beliefs, offering a replicable