Vol. 2009 No. 1 (2009)

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Gender Portraiture in African Filmic Discourse: A Guinea-Bissau Perspective

Seydou Sylla, Department of Research, AECAR - Higher School of Commerce, Administration and International Relations Mamady Bah, Department of Research, AECAR - Higher School of Commerce, Administration and International Relations
DOI: 10.5281/zenodo.18895364
Published: May 17, 2009

Abstract

Gender roles in Guinea-Bissau have been shaped by a blend of traditional African customs and colonial influences. Filmic representations often reflect these complex intersections, providing a window into societal norms and evolving gender dynamics. Qualitative content analysis of selected filmic works will be employed to examine themes, character portrayals, and narrative structures related to gender. A notable theme emerged regarding women’s empowerment in narratives that challenge traditional roles, with approximately one-third of films featuring female protagonists leading significant plot developments. This study contributes to a nuanced understanding of how Guinean filmmakers negotiate traditional gender norms within the cultural context. Future research could explore inter-generational shifts in filmic representations and the influence of global media on local storytelling practices. African Film, Gender Portraiture, Guinea-Bissau, Content Analysis

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How to Cite

Seydou Sylla, Mamady Bah (2009). Gender Portraiture in African Filmic Discourse: A Guinea-Bissau Perspective. African Cultural Studies Review, Vol. 2009 No. 1 (2009). https://doi.org/10.5281/zenodo.18895364

Keywords

African StudiesGender StudiesColonialismPostcolonial TheoryFeminist CriticismVisual CultureAnthropology

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Vol. 2009 No. 1 (2009)
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