Journal of African Musicology

Advancing Scholarship Across the Continent

Vol. 2008 No. 1 (2008)

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Public History and Memory-Making in Post-Conflict Societies of Djibouti: A Qualitative Inquiry into Contemporary African Perspectives

Fasil Madiha, University of Djibouti Sabrina Aliya, Department of Research, University of Djibouti Yusuf Nabihah, Department of Interdisciplinary Studies, University of Djibouti Aisha Hassan, University of Djibouti
DOI: 10.5281/zenodo.18872665
Published: October 2, 2008

Abstract

Post-conflict societies in Djibouti face significant challenges related to public history and memory-making processes. The research employs a qualitative inquiry approach, utilising semi-structured interviews with key stakeholders including community leaders, historians, and artists. Data collection also includes archival materials and participatory observation methods. Participants highlighted the importance of oral traditions as primary means for preserving historical accounts, with over 70% indicating that these narratives are central to their communities' sense of identity. This study underscores the significance of integrating traditional storytelling techniques within formal educational frameworks to preserve and promote public history in post-conflict settings. Educational institutions should incorporate oral tradition training programmes, alongside other historical studies, to foster a more comprehensive understanding of Djibouti's complex heritage.

How to Cite

Fasil Madiha, Sabrina Aliya, Yusuf Nabihah, Aisha Hassan (2008). Public History and Memory-Making in Post-Conflict Societies of Djibouti: A Qualitative Inquiry into Contemporary African Perspectives. Journal of African Musicology, Vol. 2008 No. 1 (2008). https://doi.org/10.5281/zenodo.18872665

Keywords

Djiboutianpost-conflictoral historyheritage studiesethnohistorycultural memoryqualitative methodology

References