African Visual Arts Journal

Advancing Scholarship Across the Continent

Vol. 2006 No. 1 (2006)

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Decolonizing African Art History in Uganda: A Theoretical Framework

Chinwendu Mumba, Medical Research Council (MRC)/UVRI and LSHTM Uganda Research Unit
DOI: 10.5281/zenodo.18830412
Published: January 16, 2006

Abstract

Decolonizing African art history in Uganda involves re-evaluating existing narratives to reflect more inclusive and equitable perspectives. The approach utilizes a combination of archival research, oral history interviews, and participatory action research methods to uncover suppressed histories and contemporary practices in the arts sector. The theoretical framework suggests that incorporating more diverse perspectives will enrich Ugandan art histories and foster greater inclusivity in the field. Recommendations include training programmes for historians to incorporate decolonizing methodologies into their research practices, as well as advocating for institutional changes within arts organizations.

How to Cite

Chinwendu Mumba (2006). Decolonizing African Art History in Uganda: A Theoretical Framework. African Visual Arts Journal, Vol. 2006 No. 1 (2006). https://doi.org/10.5281/zenodo.18830412

Keywords

African StudiesDecolonizationPostcolonial TheoryCritical Race TheoryHeritage ConservationEthnographyAfricana Literature

References