Vol. 2000 No. 1 (2000)
Syncretic Tropes and Cultural Adaptors in African Diasporas: A Theoretical Framework for South Africa
Sipho Motshega, University of Cape Town
Mpho Mogobuyo, African Institute for Mathematical Sciences (AIMS) South Africa
Noluthando Qwane, African Institute for Mathematical Sciences (AIMS) South Africa
DOI: 10.5281/zenodo.18717747
Published: August 3, 2000
Abstract
This article explores the complex interplay of religious syncretism and cultural adaptation within African diasporas in South Africa, focusing on how these phenomena manifest across various artistic expressions. The theoretical framework highlights the dynamic nature of cultural adaptation and syncretism in South Africa, offering insights into how diasporic identities are continually redefined through artistic expressions. This understanding aids in appreciating the rich tapestry of contemporary African art and culture.
How to Cite
Sipho Motshega, Mpho Mogobuyo, Noluthando Qwane (2000). Syncretic Tropes and Cultural Adaptors in African Diasporas: A Theoretical Framework for South Africa. African Mythology and Beliefs, Vol. 2000 No. 1 (2000). https://doi.org/10.5281/zenodo.18717747
Keywords
African diasporaSyncretismCultural adaptationEthnographyAnthropologyMulticulturalismMigration studies