Vol. 2010 No. 1 (2010)

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Music and Political Protest in Comoros during Transitional Periods,

Isidore Ngoma, University of the Comoros Sabrina Ndiaye, University of the Comoros Dorothy Zabala, University of the Comoros Irene Mwanza, Department of Interdisciplinary Studies, University of the Comoros
DOI: 10.5281/zenodo.18912087
Published: October 11, 2010

Abstract

This Policy Brief explores how music functions as a form of political expression during transitional periods in Comoros, focusing on the period from to . A qualitative approach was employed through semi-structured interviews with musicians, activists, and government officials to understand the discourse around music as a tool of resistance. Music served as a powerful medium, amplifying calls for political reform by featuring themes such as corruption and inequality. Analysis revealed that songs often addressed specific grievances against local authorities, influencing public sentiment and policy discussions. The findings suggest that integrating music into official discourse can enhance transparency and accountability in governance, particularly during times of social unrest. Governments should consider incorporating musical elements into civic education programmes to foster a culture of political engagement. Additionally, they could establish partnerships with local artists for community-based initiatives promoting positive change.

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How to Cite

Isidore Ngoma, Sabrina Ndiaye, Dorothy Zabala, Irene Mwanza (2010). Music and Political Protest in Comoros during Transitional Periods,. African Cultural Anthropology (Sociology focus), Vol. 2010 No. 1 (2010). https://doi.org/10.5281/zenodo.18912087

Keywords

African StudiesEthnomusicologyPolitical SociologyTransitional JusticeSocial MovementsOral HistoryCultural Policy

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Vol. 2010 No. 1 (2010)
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African Cultural Anthropology (Sociology focus)

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